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1. #When were hypercard and storyspace developed series
2. #When were hypercard and storyspace developed free

The body parts lead to stories that are filled with multiple links that can take the reader to stories about other body parts. Since my body - a Wunderkrammer is a piece of hypertext fiction there is no right or wrong path to take through the lexia. Jackson entices the user to wonder through the body by placing links where there is no obvious reason to click there, like the brain area. Most of the pages include rough sketches of the body part the story is about, which offers the user a visual to go with the stories. The descriptions go beyond physical details, they include stories about those body parts and how exploring them makes her the person she is today. When the user clicks on parts of the body they are taken to another page that describes that body part. The opening interface of the piece is the body of a naked girl, the user can then navigate the lexia by clicking on various parts of the body. This piece was created in 1997 and includes illustrations and sound. Shelly Jackson describes my body - a Wunderkrammer as a "semi-autobiographical hypertext combining text and image in an exploration of the body". Opening page of Shelly Jackson's my body - a Wunderkrammer Shelly Jackson's my body - a Wunderkammer There are many different examples of hypertext fiction and they all tell a story through various lexia. The existence of an agreed upon language makes the Web the accessible platform it is. HTML is a standardized language and it's specification calls it "the publishing language of the World Wide Web". In this way, HTML is not only used to describe the author's meaning of the story, but also the shape of the story. Links are especially important for Hypertext Fiction as they form the foundation for the interconnected lexia. The necessary information for presentation is provided in Hypertext Markup Language ( HTML ) and permits the browser to display text with formatting (paragraphs, lists, etc) and perform operations in reaction to user input (links, videos, etc). Without extra information, the computer has no way of knowing how the author would like to display the text. The language used in Hypertext Fiction targets not just the reader, but also the computer. While no one is sure why this fall off occured, novelist Paul LaFarge offers a good explanation in his article, Why the book's future never happened, stating that the genre of hypertext fiction is not viable and they are generally very difficult to write. With technology further evolving and the rise of e-books, one would think that hypertext fiction would flourish today. Shortly after 2001, the trend of hypertext fictions began to fall and not many pieces were published. Probably the most noteworthy example of hypertext fiction was created in 2001 by Caitlin Fisher titled, These Waves of Girls', which won the ELO's award for fiction in 2001. The trend of hypertext fictions continued throughout the World Wide Web and was further showcased through the creation of the Electronic Literature Organization(ELO) which promoted the creation of electronic literature. The first hypertext fiction novel published on the World Wide Web was Robert Arellano's Sunshine 69, where the user explored through a nonlinear calendar of scenes. This system of interlinked documents provdided a tool for writers to share their hyptertext fiction pieces with individuals all over the web.

#When were hypercard and storyspace developed free

While Eastgate systems continued to churn out several hypertext fictions, a phenomenom known as the World Wide Web became open and free to the public in 1993.

#When were hypercard and storyspace developed series

The company who published Michael Joyce's piece was Eastgate Systems and they continued to follow the trend of hypertext fiction with a series of several other pieces including Sarah Smith's The King of Space and Stuart Moulthrop's The Victory Garden. Currently, almost all hypertexts fictions are written in the HTML language. In 1987, English Professor Michael Joyce wrote what is considered the first hypertext fiction piece titled Afternoon, a story.ĭuring the time, most hypertext fiction pieces were written in softwares such as Storyspace and Hypercard, which were programs specifically used for the creation and viewing of hypertext fictions. The history of hypertext fiction dates back to even before the World Wide Web was created.